Big grain

Just as Edison was reported to have discovered hundreds of ways to not make a light bulb, I have found many ways to make a photograph worse. How about huge, intrusive and detail-wrecking grain? Yep, got that one down real good.

In previous years I have push-processed some expired cine film, not for any other reason than the film was cheap and I wanted to take pictures in the dark. I have also enlarged a small section of a negative because I liked the effect.


This time was a bit different. I was using a film that was meant to be push-processed but I used the ‘wrong’ developer. To explain: I bought a roll of Kodak P3200. This has reportedly got a true ISO of around 1000 but can be push-processed in the recommended TMax developer to 1600, 3200 or beyond (but not beyond infinity, Buzz). What is positively not recommended is to use stand development in Rodinal. So that’s obviously what I did.

Why am I this contrary? Because I had one roll of this film and I didn’t want to buy a bottle of special developer – this stuff is already expensive; why add the cost of a bottle of developer that I couldn’t use for anything else? Besides, if we stuck to what other people say is safe, how would we learn anything?

P3200 is a low contrast film. This helps compensate for the gain in contrast you normally get when push-processing it. I was planning to use semi-stand development, which lowers contrast. There was a likelihood I would end up with golfball grain and two shades of mid grey. But I was also planning to shoot the film in conditions of extreme contrast: under street lamps, at night. What could possibly go wrong?

Metering, for one. How do you expose for a scene that contains its light source and ranges from light enough to read by down to dark enough for murder? My little book of notes says that ‘subject under bright street lamp’ is EV 4. If we say the film is going to be exposed at 1600, that converts to 1/60 at F2. There was going to be a full moon at the time I was playing, and the magic guide says this is around EV -3, or 2 seconds at F2. So I could be looking at a seven-stop range. This is well within the capabilities of a negative film.

But…. what I actually did was meter off a whitewashed wall behind a streetlamp and give it a couple more stops of exposure. And then give it a few more stops for scenes that contained street lights but were not directly lit by them. And after a few more beers, I basically waved the camera about and hoped.

The film got what is now my standard semi-stand development: Rodinal at 1+100, 30 seconds agitation at start then two gentle inversions every 30 minutes for a total of two hours. I was relieved to see exposed frames when I took it out of the tank and even more relieved to see some interesting images when I hung it to dry.

Then I scanned it. Oh boy, but that’s grainy! Metering off the wall behind the streetlight worked quite well. Guessing the exposure wasn’t too bad. Putting the camera on a wall and hoping gave me some ‘variable’ success with framing. But the grain!


So is this a waste of an expensive film or a method I would recommend? Both. If you want to emphasise the grain, try this. If you want to shoot fine detail in the dark, use a different method or a different film. There will be another post along soon that shows what a 100 ISO film can do under the same conditions and with the same development.

Night in Staithes
No idea

Author: fupduckphoto

Still wishing I knew what was going on

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