I should have known. I would have known if I’d thought about it. Just as there is Rule 34 for the internet, so in photography: if you can think of it, there’s a movement and special interest group for it.
I was surprised to learn that there was a minimalist photography competition. Then I was surprised that I was surprised, as I said.
Not that it’s a bad thing – quite the opposite. I like the Zen balance of the fewest number of elements or the counterpoint of simple shapes. I’ve heard the idea that you should dress-up to go out and then at the door remove one item. Minimalism is, to me, the removal of all but the essential (don’t try to picture me going out in just my underpants).
So I went and had a look at the minimalist photography awards. As you would expect, a mixed bag. Some is very good indeed while some is either too busy or just not very good. The way the competition is organised is interesting though and appears to be self funding. You pay to enter, the winners get cash prizes, probably covered by the entry fees, and get to download and print their own winning certificate. I may be totally wrong, but it has a sense of the vanity publishing industry for writers (give us money and we will print your book). I’m sure I must be wrong – the awards are backed by a magazine and the winners did get some press coverage.
Photography, like publishing, probably has a strong power law for the distribution of income: a few people make a lot and a lot make very little. There is a difference in the work involved though. Writing a book might take you a year, so it requires serious effort and commitment. Taking a picture is effectively free. This is why I hear of professional photographers being undercut by anyone with a camera and why people are asked to do work in return of ‘exposure’.
It used to be that book publishing was such an investment that there was strong filtering: a publisher would invest in a known quantity like a successful author but needed to be pretty certain before betting on a new one (hence the power law of income). The vanity publishing industry catered for the people who wanted to be published and were prepared to pay to obtain a box of books they could give to friends. And then along came print on demand. Now I can put my masterpiece online and give people a link to print their own copy. On the whole it costs less for the prospective author and probably sells as many copies. (I do know whereof I speak: I self-published a book that was later taken-up by a publisher, but that was due more to chutzpah than talent.)
What’s the photography equivalent? I suppose there are places like Instagram where you can effectively publish for free and places like Etsy where you can sell prints. Then there are ‘zines (who wants to even think maga in these times?). Most of these seem to be small-run, quirky, and are given away or sold for little more than cost (go read Charles Stross or Cory Doctorow about the margins and money streams in mainstream publishing). Small-scale guerilla publishing of pictures or words are marvellous and not to be dismissed. Just don’t expect to be Barbara Cartland. And I have no idea who the photographic equivalent of our Babs would be – Ansel Adams?
So why am I on my soapbox? I like minimalist pictures very much. I like a lot of the award winning pictures in this competition. Paying a fee to enter a competition may set a useful barrier to the less serious or committed (see above for the zero marginal cost of one photo) and it may build to a prize fund worth having. The winners probably got what they wanted and we’re all happy. So let me wind-in whatever neck I had extended and take the whole thing at face value. The correct judgement to use here is Occam’s razor, not Hanlon’s.
Go and look at the gallery of minimalist images and see what you think.