Expired means was, not is

What is it with expired film? Why shoot expired film when you can get new?

I confess to shooting expired film in the past, but it was mostly because my unused film got old. I was also given a couple of rolls of very old Kodak film, that gave me all the problems you’d ever expect.

Why shoot a film that will have high levels of fog, low contrast and even strange spots? If it’s colour film the colours will have faded or shifted. If it’s roll film there is a fair chance that the frame numbers will show on the pictures.

One of the old Kodak films I was given was so old that the tape holding the leading edge of the film to the backing paper dried up and let go. The film coiled into body of the box camera leaving me to wind-on the backing paper.

So why wouldn’t you shoot fresh film? If you want pictures that look expired, why not add the effect later? At least that way you have some control over it. There was useful article on DIY Photography about making your own grunge filter. Use one of these and you can switch the expired effect on or off as you need.

If it’s the uncertainty you want, fine. But why stop there? Try something like Oblique Strategies or take every shot from the hip. Otherwise, why are you taking pictures? Is the purpose of your photo the subject or the method? What is it you want people to see? If your vision needs the look of expired film that’s great, but how are you going to get it reliably? I suppose what I’m asking is how to get consistent inconsistency, and I think the answer is to find a filter or processing effect that delivers what you want. In a way it’s the Zone Adams thing – have an idea of what the final picture will be and capture all possible detail and tone. Then you can turn that into multiple versions of what you saw. But if you start with a partial or compromised capture, there are fewer options later.

If it’s the subject that’s important though, I think you need reliable methods. I wouldn’t want to work hard for an image and find it was foggy or blotched.

There is also the question of not biting the hand that feeds us. There are few enough people making film and even those are dropping some products. Buy new and the money goes to the makers right now. If the market looks buoyant, others may enter it and with luck it will be sustainable. If we’re really lucky a resurgent film market will persuade someone to re-tool and start making film cameras again (I know Lomo do, but I mean things like a 35mm SLR).

You won’t get that from shooting granny’s mouldy HP3.

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Author: fupduckphoto

Still wishing I knew what was going on.

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