Do you make pictures or find them? I usually find them: I take a camera for a walk and take pictures of what I see. I rarely build a picture from an idea. Someone doing advertising or product photography probably builds more than finds – they have to create a story around a subject. That might the definition of professional photography – that the photographer is able to make a story around a subject to match their brief or their intention. That, and getting paid for it.
I have done this (not getting paid, making a picture) – I wanted to take a picture of a friend’s business which was in a narrow street, and I wanted glancing light across the front. So I worked out when the sun would shine down the street at the right angle and turned up with a swing lens that would let me blur the buildings at either side. But the rest of the time I just snap what I see.
What got me thinking about this? An interview with Lottie Davies. She was talking about the result of several years’ work to make an exhibition and book called Quinn. It is an immersive story with pictures of the subject travelling through the country. The person Quinn did not exist and the tale is a story. But the pictures tell the story. This is about the best example I have of made. Every detail of this story was imagined and then created.
The opposite might be Henri Cartier-Bresson, the ultimate street photographer who took pictures that he found rather than made. Except he too saw a scene and waited for the right person or people to be in it and in the right place. But he didn’t direct them and his pictures are of what happened in that moment.
I suppose the distinction doesn’t really mean anything, as we all do both. It did help me appreciate the craft that went into something like Quinn though, and it will make me think that I should perhaps put more effort into making rather than accepting what is or hoping it was different.