A chunky monkey from the mid-60s, but quite well-featured.
This variant of the Contessa line was made from 1963 to 1965. From various clues I think mine was late in the series, so let’s say 1965. What you get is a substantial-feeling fixed lens rangefinder. It’s quite deep in the body and weighs-in at 630g. Ideally you would find one with a case, as the body has no strap lugs of its own. What it does have is a sharp Tessar lens, a decent range of shutter speeds, a rangefinder and a lightmeter. The lightmeter is a treat – there is a display on the top plate so that you can set the camera up while it’s still hanging on a strap. When you raise the camera to your eye, there is another meter needle in the viewfinder.
The rangefinder patch on this one is a bit faint, but helped by a spot of marker pen in the middle of the viewfinder window.
The shutter runs from 1/500 down to 1/15 and B, while the meter goes from 10 to 800 ISO. Not bad for ’65.
The rangefinder needed calibrating when I first got the camera, but it’s not hard. The top plate comes off with two screws (but not completely – there is a wire that runs to the flash PC socket but it has some slack in it). The adjustment screws are on the sloping rear wall of the viewfinder block. The bottom screw is obscured by the winding lever, which needs a third hand or a bit of tape to hold it back. Luckily it’s the top screw that adjusts the sideways movement of the split image. So a few minutes with a small screwdriver and a distant view through the window got everything lined-up again.
In use it’s easier than most cameras of this type. The aperture control ring has tabs to make it easy to locate and turn. The shutter ring has a decent bit of tooth to it, so it too is easy to find and set. You just have to remember to feel past it to get the the narrower lens.
The film rewind is a Zeiss quirk. It’s on the bottom of the camera. When you press the film release button the rewind arm pops-out far enough to get hold of it and fold it open to its operating position. Putting it on the bottom leaves space under the top plate of the camera for the light meter, so it’s a clever design.
In use it’s a good lens in a usable package. You could load a film, take this out and use it with results and handling as good as any more modern film camera. Nowhere near as small as an Olympus XA, but still practical.
One thought on “Zeiss Ikon Contessa LKE”
I own a Contessa LK, which is the same camera minus the onboard meter. I really love that camera. It’s a pleasure to shoot, and its lens is terrific.